Two quite different wartime farewells at Charing Cross Station: The first is from Vera Brittain on the eve of 1915:
At Charing Cross, with half an hour to wait for the last train to Purley, we walked together up and down the platform. It was New Year’s Eve, a bright night with infinities of stars and a cold, brilliant moon; the station was crowded with soldiers and their friends who had gathered there to greet the New Year. What would it bring, that menacing 1915?
Neither Roland nor I was able to continue the ardent conversation that had been so easy in the theatre. After two unforgettable days which seemed to relegate the whole of our previous experience into a dim and entirely insignificant past, we had to leave one another just a§ everything was beginning, and we did not know — as in those days no one for whom France loomed in the distance ever could know — when or even whether we should meet again. Just before the train was due to leave I got into the carriage, but it did not actually go for another ten minutes, and we gazed at one another submerged in complete, melancholy silence. – Vera Brittain, Testament of Youth
The second is an unconventional twist on the classic scene of the soldier’s farewell – an unusually cynical take. Read it with a bitter sneer.
(2.35 p.m.)
1915 – Douglas Goldring
And then that agonizing time of waiting and waiting for the moment of departure to be over in Helen Mackay’s poem also from 1915.
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So sad.
Heartbreaking. Mackay's poem about being desperate for the parting to happen - for the train to moving and the agonizing moment of separation over - rings so true.
All of them moving, in their own ways!